“The first reaction of many librarians to hearing that a library uses CCO in its online public access catalog (OPAC) is likely to be, ‘‘Why would you want to?’’ Isn’t CCO intended for use in visual resource collections and art museums, rather than in library collections, which have their own set of data standards? Why mix standards from two different worlds?
It is true that library collections consist chiefly of printed publications, and that the data standards and information systems used by libraries were developed for, and work best when applied to, traditional library materials. But there are very few libraries that do not own at least a handful of art and cultural objects. These may include: portraits of founders or donors; artwork gifted for decorative purposes; and art or cultural objects that come to the library with someone’s papers, or because they have some association with existing textual collections.
Whatever the length of the record, librarians will find CCO an invaluable guide for the selection and formulation of information appropriate for the description of art and cultural works. Used as a supplement to library data standards, CCO provides librarians with the basic tools for creating records for art and cultural works that can live in harmony with the records for their mainstream collections. “
Read the full article [link forthcoming]
See EXAMPLES of CCO practice in library collections [link forthcoming]
The Visual Resources Association Foundation (VRAF) has appointed a task force to research and explore options for the continued, sustained, and future development, maintenance, web presence, and administrative structure of Cataloging Cultural Objects (CCO).
The Visual Resources Association Foundation is pleased to announce that a Russian translation of Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images is available online. The translation is a project of the Boris Yeltsin Presidential Library, Saint-Petersburg, Russia.
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